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  2. Feeling Good - Wikipedia

    en.wikipedia.org/wiki/Feeling_Good

    George Michael performed "Feeling Good" during his 2011–12 Symphonica Tour and included it on the Symphonica album (2014). The music video was released on 6 May 2014, and "Feeling Good" was sent to radio on 11 August 2014. The release of "Feeling Good" coincided with the issue of Symphonica on the vinyl format. It became his final single ...

  3. Feeling Good (Art Blakey album) - Wikipedia

    en.wikipedia.org/wiki/Feeling_Good_(Art_Blakey...

    Feeling Good (1986) ... the music is consistently enjoyable". [3] Track listing ... Donald Brown - piano; Peter Washington - bass; References

  4. Sheet music - Wikipedia

    en.wikipedia.org/wiki/Sheet_music

    Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.

  6. Lead sheet - Wikipedia

    en.wikipedia.org/wiki/Lead_sheet

    A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation , the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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