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The use of lighter, more flexible woods allowed the furniture of the Renaissance and Baroque periods to gradually give way to more curvilinear designs. [6] One of these designs was the bombe vitrine, which generally bulged out in a section between curved sabot legs and a straighter upper body which featured the panes of glass. [7]
The china cabinet already existed by the late 17th century, initially used for Japanese export porcelain and its Chinese equivalent, then very fashionable, especially in England and the Netherlands. William and Mary's reign particularly popularized the furniture and porcelain, as Queen Mary was known for collecting Chinese pottery. At this date ...
In the 18th and early 19th century, however, the term hutch or hutch table referred to a tabletop set onto a base in such a way that when the table was not in use, the top pivoted to a vertical position and became the back of a chair or wider settee; [1] [note 1] this was a very useful form at a time when many homes had a large room used for ...
A Hoosier cabinet Original condition Hoosier-style cabinet. A Hoosier cabinet or Hoosier is a type of cupboard or free-standing kitchen cabinet that also serves as a workstation. It was popular in the first few decades of the 20th century in the United States, since most houses did not have built-in kitchen cabinetry.
When a secretary desk is cut in half vertically, so to speak, to provide a secretary desk half as wide as usual on one side and a glassed door cabinet on the other, this big piece of furniture is called a side-by-side secretary. The term is also applied sometimes to very big pieces of furniture made up of three elements, one of them being a ...
A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
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There are some characteristics that hint at a Hepplewhite design, such as shorter more curved chair arms, straight legs, shield-shape chair backs, all without carving. The design would receive ornamentation from paint and inlays used on the piece. The book influenced cabinet makers and furniture companies for several generations. The work of ...