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  2. Voice crossing - Wikipedia

    en.wikipedia.org/wiki/Voice_crossing

    In music, voice crossing is the intersection of melodic lines in a composition, leaving a lower voice on a higher pitch than a higher voice (and vice versa). Because this can cause registral confusion and reduce the independence of the voices, [ 1 ] it is sometimes avoided in composition and pedagogical exercises.

  3. Voice leading - Wikipedia

    en.wikipedia.org/wiki/Voice_leading

    Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]

  4. Parallel harmony - Wikipedia

    en.wikipedia.org/wiki/Parallel_harmony

    In the Schuman example (Three Score Set for Piano), the inversions of the chords suggest a bichordal effect. [ 3 ] In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second , is consistent.

  5. Neo-Riemannian theory - Wikipedia

    en.wikipedia.org/wiki/Neo-Riemannian_theory

    Later, Cohn pointed out that neo-Riemannian concepts arise naturally when thinking about certain problems in voice leading. [6] [7] For example, two triads (major or minor) share two common tones and can be connected by stepwise voice leading the third voice if and only if they are linked by one of the L, P, R transformations described above. [8]

  6. Rhetorical modes - Wikipedia

    en.wikipedia.org/wiki/Rhetorical_modes

    Expository writing is a type of writing where the purpose is to explain or inform the audience about a topic. [13] It is considered one of the four most common rhetorical modes. [14] The purpose of expository writing is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion.

  7. Free indirect speech - Wikipedia

    en.wikipedia.org/wiki/Free_indirect_speech

    Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]

  8. Talk:Voice leading - Wikipedia

    en.wikipedia.org/wiki/Talk:Voice_leading

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  9. Voice (phonetics) - Wikipedia

    en.wikipedia.org/wiki/Voice_(phonetics)

    The difference is best illustrated by a rough example. The English word nods is made up of a sequence of phonemes, represented symbolically as /nɒdz/, or the sequence of /n/, /ɒ/, /d/, and /z/. Each symbol is an abstract representation of a phoneme. That awareness is an inherent part of speakers' mental grammar that allows them to recognise ...