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Another influence was the integration of Spanish people. The Spanish folksongs with influences from the indigenous caused the fusion of races and the elements of their cultures were likewise fused. [9] The history of cumbia has evolved throughout the years, known as a street dance but had a period of transiting into a ballroom dance. [10]
Cumbia (Spanish pronunciation:) is a folkloric genre and dance from Colombia. [1] [2] [3]The cumbia is the most representative dance of the coastal region in Colombia, and is danced in pairs with the couple not touching one another as they display the amorous conquest of a woman by a man. [4]
Other musical genres of Latin America include the Argentine and Uruguayan tango, the Colombian cumbia and vallenato, Mexican ranchera, the Cuban salsa, bolero, rumba and mambo, Nicaraguan palo de mayo, Uruguayan candombe, the Panamanian cumbia, tamborito, saloma and pasillo, and the various styles of music from Pre-Columbian traditions that are ...
As a musical form the cumbia is well-known today because the melodies and rhythm have been adapted to the modern and very popular pindín. In earlier times as violin, guitar, tambor, caja, triangle and maraca or churuca accompanied the cumbia. Today the accordion replaces the stringed instruments in most musical groups. [2]
Latin American art is the combined artistic expression of Mexico, Central America, the Caribbean, and South America, as well as Latin Americans living in other regions. The art has roots in the many different indigenous cultures that inhabited the Americas before European colonization in the 16th century.
The Mexican cumbia has adapted versions of Colombian music like Peruvian cumbia or Argentine cumbia, among others.This diversity has appeared in different ways. For example, originally the northern cumbia (cumbia norteña) was usually played with accordion and consists of tunes with few chords and slower speed than original cumbia.
These migrations were due to the Spanish colonization of America, which was forced to use the Royal Route of Panama as an inter-oceanic trade route, which included the slave trade (an institution abolished in Panama in 1851); To the traffic, product of the exploitation of the silver mines in the Viceroyalty of Peru during centuries XVI and XVII ...
Probably one of the high points of that stage was Canción con todos (1969), composed by César Isella and Armando Tejada Gómez and sung by Mercedes Sosa, which has virtually become the Hymn of Latin America. [106] This period also saw attempts to link folklore more closely with other manifestations of Argentine and Latin American popular music.