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Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007) Gender, race, and sexuality in music theory. Popular music [219] Suzannah Clark: born 1969
Music theory is the study of theoretical frameworks for understanding the practices ... In Aspects of Twentieth-Century Music, edited by Gary Wittlich, 270–321 ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
20th-century classical music is art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had ...
He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. [4] Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. [4]
Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
In the later 20th century, analysts started to adapt these tools to the yet more complex music being written. Musical set theory was first elaborated for tonal music [6] but was quickly applied to atonal music [7] since it simply provides concepts for categorizing musical objects (notes, chords, melodies and so on) and describing their ...
An expert on Schenkerian theory, he also teaches traditional undergraduate music theory and musicianship, counterpoint, analysis, analysis of 20th-century music, and music-theory pedagogy. He is an internationally recognized expert on Hungarian composer Béla Bartók. In 1992, Yale University Press published his The Music of Béla Bartók. In ...