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Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has increased in popularity as digital video production technology has become more readily accessible.
In 2009, Kelley collaborated with longtime friend and fellow artist Michael Smith on "A Voyage of Growth and Discovery", a six-channel video and sculptural installation piece. [32] This piece was conceived in 2007 and curated by Emi Fontana , produced by Kelley himself and West of Rome Public Art. [ 33 ]
Beryl Korot has pioneered the field of video art since the early 1970s, multiple channel work in particular. She was co-editor of Radical Software (1970), [3] [4] [5] the first publication to discuss the possibilities of the new video medium, and Video Art (Harcourt, Brace, Jovanovich, 1976) with Ira Schneider. [6]
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In 1963, McCune adopted the name "Channel X" for its video production services. [4] In the 1960s, McCune operated from 960 Folsom Street in the South of Market (SOMA) area. In 1969, the company moved to 951 Howard Street, and built an audio and video recording studio within the structure. [5] McCune later expanded to both sides of Howard Street.
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Rachel Whiteread, Embankment at Tate Modern, London An installation art of Mad crab created with waste plastics and similar non-biodegradable wastes at Fort Kochi. Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space.