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Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...
The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, is a three-movement work for flute and piano, written in 1957. The sonata was commissioned by the American Library of Congress and is dedicated to the memory of Elizabeth Sprague Coolidge , an American patron of chamber music.
Sonata for flute and harpsichord No.4 in C major, Book 2, No. 3; Sonata for flute and harpsichord No.5 in G major, Book 2, No. 5; Sonata for flute and harpsichord No.6 in B minor, Book 2, No. 11; Sonata for flute and harpsichord No.7 in E minor, Book 4, No. 2; Sonata for flute and harpsichord No.8 in G major, Book 4, No. 7; Dieter Lehnhoff
The "Viennese" flute was the flute of Beethoven and Schubert's Vienna, playing important roles in some of their most famous compositions. Most notably constructed in the 1800s by the companies of Stephen Koch and Johann Zeigler of Vienna between 1807 and 1895, the Viennese flute was unusually long allowing additional keys for playing notes as ...
The specific problem is: the article contains some flute makers who aren't notable enough for an encyclopedia article. Please help improve this article if you can. ( December 2014 ) ( Learn how and when to remove this message )
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
Lithograph of Mayer based on a drawing by Pauline Suhrlandt. Emilie Luise Friderica Mayer (14 May 1812 – 10 April 1883) was a German composer of Romantic music. [1] Although Emilie Mayer began her serious compositional study relatively late in life, she was a very prolific composer, eventually producing some 8 symphonies and at least 15 concert overtures, as well as numerous chamber works ...
Al Goldstein on flute with Martha Goldstein on harpsichord (0:43): Concludes on a B major chord. 4 Allegro E minor 3 8: 80 Al Goldstein on flute with Martha Goldstein on harpsichord (2:15): Two sections (31 and 49 bars)—each with repeat markings. In common with the fourth movement of the flute sonata in E minor (HWV 379).