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Symphony "Dürer" Dedicated to Albrecht Dürer: Karl-Franz Muller: 1: Symphony des Machines: Symphony of the Machines: 1959: 2: Arcadian Symphony: 1970–72: 3: Altische Symphonie: Old Symphony: 4: Sardinian Symphony: 5: Sarda Symphony: 6–9: Sinfonia Breve: Short Symphony: 1960s: He wrote 3 of these symphonies. The 2nd was written in 1963. 10 ...
In the subsequent decades, numerous inaccuracies in the chronology (especially in the lower numbers) were found, but the Mandyczewski numbers were so widely used that when Anthony van Hoboken compiled his catalogue of Haydn's works, he incorporated the Mandyczewski number into Catalogue I (e.g., Symphony No. 34 is listed as Hob.
Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830.
A symphony is an extended musical composition in Western classical music, most often for orchestra.
Sinfonia (IPA: [siɱfoˈniːa]; plural sinfonie) is the Italian word for symphony, from the Latin symphonia, in turn derived from Ancient Greek συμφωνία symphōnia (agreement or concord of sound), from the prefix σύν (together) and Φωνή (sound).
Sinfonia antartica ("Antarctic Symphony") is the Italian title given by Ralph Vaughan Williams to his seventh symphony, first performed in 1953. It drew on incidental music the composer had written for the 1948 film Scott of the Antarctic .
The Symphony No. 26 in D minor, Hoboken 1/26, is one of the early Sturm und Drang Symphonies written by Joseph Haydn. It is popularly known as the Lamentatione . It was written under the auspices of Prince Nikolaus Esterházy , and is from the late 1760s, when Haydn began to experiment with minor key symphonic writing.
While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...