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Humanhood is the seventh studio album by Canadian folk band the Weather Station. [3] It was released on January 17, 2025 via Fat Possum , featuring the singles "Neon Signs", "Windows" and "Body Moves".
The Weather Station is a Canadian folk music band fronted by Tamara Lindeman, formed in 2006.Band membership has changed over the years, but as of 2022 the lineup includes Lindeman (lead vocals, piano), Ben Whiteley (bass), Johnny Spence (keyboards), Will Kidman (guitar), Christine Bougie (guitar), Karen Ng (saxophone, clarinet), Evan Cartwright (drums), and Kieran Adams (drums).
The Weather Station (German: Der Wetterwart) is a 1923 German silent film directed by Carl Froelich and starring Mady Christians, Albert Steinrück and Hans Brausewetter. [ 1 ] The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle .
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The company was founded by Henry Jarvis Raymond and George Jones in New York City. The first edition of the newspaper The New York Times, published on September 18, 1851, stated: "We publish today the first issue of the New-York Daily Times, and we intend to issue it every morning (Sundays excepted) for an indefinite number of years to come."
How Is It That I Should Look at the Stars is the sixth studio album by the Canadian folk band the Weather Station, released March 4, 2022, by Fat Possum Records. [1] [2] The album was recorded over three days in March 2020 in Toronto, with frontwoman Tamara Lindeman singing, producing, playing piano, and leading a lineup consisting of guitarist Christine Bougie, saxophonist and clarinetist ...
The Weather Station is the eponymous fourth studio album by Canadian band the Weather Station. It was released on October 6, 2017 through Paradise of Bachelors. The album was a Juno Award nominee for Contemporary Roots Album of the Year at the Juno Awards of 2018.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.