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Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
' In memorium Saroj ') is a long elegiacal poem in Hindi written by Suryakant Tripathi 'Nirala'. He composed this following the death of his 18-year-old daughter, Saroj, in 1935. Its first publication occurred in the second edition of Anāmikā in 1937. This poem is considered one of the finest elegies in Hindi literature. [1]
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. [ 2 ] Madhushala was part of his trilogy inspired by Omar Khayyam 's Rubaiyat , which he had earlier translated into Hindi.
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
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