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Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
They are often sung as part of traditional children's games. They are described as a form of min'yo: traditional Japanese songs, usually sung without accompanying instruments. The centuries-old lyrics are often incomprehensible to modern Japanese (especially to children who are singing it), and others can be quite sinister on close analysis.
Traditional Ainu music can be divided into two major groups – everyday songs and epic songs. Everyday songs in Ainu tradition were sung in many situations and on an impromptu basis. They were often accompanied by the two most prevalent Ainu musical instruments: the tonkori , a plucked zither , and the mukkuri , a jaw harp played by women.
1961 - 1st broadcast of Minna no Uta; 1963 - Sukiyaki reaches number 1 in the USA 1962 - 1st broadcast of Shichiji ni aimashō; 1964 - 1st broadcast of Music Fair; 1967 - Oricon founded; Akiko Nakamura [] released Nijiiro no mizūmi []; [6] Hibari Misora released Makkana Taiyō [7]
Japanese folk songs (min'yō) can be grouped and classified in many ways but it is often convenient to think of five main categories: fisherman's work song, farmer's work song; lullaby; religious songs (such as sato kagura, a form of Shintoist music) songs used for gatherings such as weddings, funerals, and festivals (matsuri, especially Obon)
For a confidence game to be a "Kansas City Shuffle", the mark must be aware, or at least suspect, that he is involved in a con but also be wrong about how the con artist plans to deceive him. The con artist will attempt to misdirect the mark in a way that leaves him with the impression that he has figured out the game and has the knowledge ...
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This genre is performed by a singer accompanied by a shamisen, rōkyoku became very popular in Japan during the first half of the 20th century. In modern Japanese slang, naniwabushi is sometimes used to mean "a sob story", since the songs were often about sad subjects. The stories were commonly about folktales and myths with themes of loyalty ...