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"Don't Cry for Me" is a song by Brazilian DJ and record producer Alok, Danish DJ and record producer Martin Jensen, with vocals from American singer Jason Derulo. It was released as a single on July 10, 2020, by Virgin Records. [1] [2] The song was written by Derulo, Richard Boardman, Pablo Bowman, Alok, David Strääf, Ohyes and James Blount.
Julie Covington (born 11 September 1946) is an English singer and actress, best known for recording the original version of "Don't Cry for Me Argentina", [1] which she sang on the 1976 concept album Evita.
"Cry for Me" is a song by Canadian singer-songwriter the Weeknd. It was sent to US contemporary and rhythmic radio through XO and Republic Records as the third single from his sixth studio album, Hurry Up Tomorrow , on February 4, 2025. [ 1 ]
"Don't Cry for Me" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her 1997 eponymous album. It was written by Stansfield, Ian Devaney, Cory Rooney and Mark Morales. Originally, the track was produced by Devaney, Rooney and Morales, and further production was handled by Peter Mokran and Devaney.
"Don't Cry for Me" 1. 1990: Julie Miller – Meet Julie Miller (Myrrh) "Don't Listen to the Wind" 1. 1995: Buddy Miller – Your Love and Other Lies (HighTone)
"Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album Evita, later included in the 1978 musical of the same name. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón .
Won't Change Places is an album by Marti Webb released in 1981 as a follow-up to Tell Me on a Sunday. As with her previous album, the recording was produced by Andrew Lloyd Webber for the Polydor label. It included a recording of "Don't Cry for Me Argentina" from the musical Evita in which Webb was appearing as Eva Perón at the time.
The song is a contrafactum, and shares its tune with the better known "Don't Cry for Me Argentina" from the same show. "Oh What a Circus" was a commercial success for Essex, who had been dropped by his previous record company due to his declining sales. The song reached number 3 on the UK Singles Chart, and the top-30 in Belgium and Netherlands.