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KLF members Jimmy Cauty and Bill Drummond refused to take part in the film or to authorise it. [ 6 ] [ 7 ] However, old interviews with them, recorded on audio cassettes, were used. Limited clips of their music were included under the fair dealing copyright exception. [ 6 ]
The SSL is referenced in the subtitle of the KLF single "3 a.m. Eternal (Live at the S.S.L.)", and the title of their 2021 digital compilation albums Solid State Logik 1 and Solid State Logik 2. The house music of Space and the KLF involved much original instrumentation, for which the Oberheim OB-8 analogue synthesiser was prominently used. [158]
The original 1989 12-inch single release constituted the second of the KLF's "Pure Trance" series. There were two issues, numbered 005T (pink writing on a black sleeve, with two KLF mixes) and 005R (black writing on a pink sleeve, with four more mixes, including remixes by the Cauty/Paterson incarnation of The Orb ("Blue Danube Orbital" [4]) and The Moody Boys).
Welcome to the Dark Ages was a three-day event organised by The Justified Ancients of Mu Mu (the JAMs; more widely known as The KLF), held in Liverpool in August 2017. The event heralded a revival of the creative partnership between Jimmy Cauty and Bill Drummond, under the name with which they first recorded and released music together in 1987.
K Foundation Burn a Million Quid [n 1] was a work of performance art executed and filmed on 23 August 1994 in which the K Foundation, an art duo consisting of Bill Drummond and Jimmy Cauty, burned £1 million (equivalent to £2.5 million in 2023) in the back of a disused boathouse on the Ardfin Estate on the Scottish island of Jura.
"Kylie Said to Jason" was first released in the UK by KLF Communications on 31 July 1989. [7] The CD single was released on 7 August. [citation needed]Given the poor sales of the recording, and the subsequent increase in interest in The KLF, the CD single of "Kylie Said to Jason" became a moderately valuable collectors' item, a mint condition copy being worth £30 in 2000.
The judge called what she went through "hell on Earth."
These elements are brought further to the fore in "Burn the Beat", which dispenses with Drummond's vocals. Most of The KLF's work was highly self-referential: lyrics were usually enigmatic narratives of The KLF's real and fictional exploits, and vocal samples were re-used in a variety of musical contexts. The signatory "Mu Mu!"
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