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Pages in category "1960s instrumentals" The following 140 pages are in this category, out of 140 total. This list may not reflect recent changes. 0–9.
The Routers' first release in September 1962 was the guitar-driven instrumental "Let's Go (Pony)", [3] which reached #19 on the Billboard chart. Its infectious "clap clap clap-clap-clap clap-clap-clap-clap Let's Go!" chant became a favorite of cheerleaders and crowds worldwide. The songwriting credits are given to local singer Lanny Duncan and ...
The Challengers were an instrumental surf music band started in Los Angeles, California, in late 1962. They represented a growing love for surf music and helped make the genre popular. Their debut album, Surfbeat, was the biggest-selling surf album of all time and helped bring surf music from California to the rest of the world. [1]
The California sound is a popular music aesthetic [nb 1] that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
The Champs are an American rock and roll band, most famous for their Latin-tinged 1958 instrumental single "Tequila". [1] [2] The group took their name from that of Gene Autry's horse, Champion, [2] and was formed by studio executives at Autry's Challenge Records [3] to record a B-side for the Dave Burgess single, "Train to Nowhere".
California Games uses the song as background music for the surfing game. The card game DropMix features a loop card called "Wipe Out", part of the Flawless playlist, that when placed in the board plays the guitar part of the song, albeit the sample is a cover made by Harmonix rather than the original.
In 1965, Dave Pell wanted to record songs based on music from recent television commercials and release them on 45 RPM singles to see if he could get radio airplay and maybe a hit record. Previously, Liberty Records had used "The T-Bones" as a group name for instrumentals recorded by Los Angeles session musicians The Wrecking Crew , and Liberty ...