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It particularly applies to works that exist as a smaller part of a larger work. Examples of titles which are quoted but not italicized: Articles, essays, papers, or conference presentation notes (stand-alone or in a collected larger work): "The Dos and Don'ts of Dating Online" is an article by Phil McGraw on his advice site.
For example, Dostoyevsky's works are almost all mostly known in English by English translations of their titles, while Molière's works are mostly known by their original French titles. This seems to me good reason to list Dostoevsky's works entirely by English title in a bibliography while listing Molière's by their original French titles.
As some examples, the NYT Manual: Uses ' s for possessives even for a word/name ending in s; Gives rationales for many practices for which AP simply states a rule; Is strictly alphabetical and thus self-indexed, while AP has separate sections for sports and weather entries, and combines many entries under such terms as "weapons"
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. [2]
These are usually handwritten on the paper containing the text. Symbols are interleaved in the text, while abbreviations may be placed in a margin with an arrow pointing to the problematic text. Different languages use different proofreading marks and sometimes publishers have their own in-house proofreading marks.
Conference paper; Essay; usually short, between 1,500 and 6,000 words in length; Explication; usually a short factual note explaining some part of a particular work; e.g. its terminology, dialect, allusions or coded references; Literature review or review essay; a summary and careful comparison of previous academic work published on a specific ...
Obviously when you're writing a plot summary, you probably won't go into as much careful detail in thinking about every decision—for the most part, some aspects, such as picking what is important and what's not is intuitive, and doesn't require a lot of analysis. However, this example gives a sense of the logic that underlies a good summary.
Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [28] to the extent that "virtually every play is shot through with sexual puns."
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