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During that eight-month trip in Japan in 1955, Takaezu studied Zen Buddhism, tea ceremony, [9] and the techniques of traditional Japanese pottery, which influenced her work. [1] In Japan, Takaezu was intent on understanding more fully the ceramic tradition of Japan that validated the medium as an art form. [18]
Yagi's effort to use traditional ceramic materials in new ways may also be seen as part of a larger effort to re-examine the role and form of Japanese traditional arts in the early postwar period. [35] Although Zamuza-shi no sanpō is one of the most famous examples of obuje-yaki, it was part of a larger trend in Japanese pottery. Following the ...
Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
Oribe ware (also known as 織部焼 Oribe-yaki) is a style of Japanese pottery that first appeared in the sixteenth century. It is a type of Japanese stoneware recognized by its freely-applied glaze as well as its dramatic visual departure from the more somber, monochrome shapes and vessels common in Raku ware of the time. [ 1 ]
Karatsu ware is known for its sturdiness and simple style; [3] [2] and is considered a traditional Japanese handicraft. [ 9 ] Fired in climbing kilns , Karatsu ware is made from a clay high in iron and can be undecorated or decorated with an iron-based underglaze , giving an earthy, simple, and natural feeling to the pieces.
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" . They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of wabi-sabi.
Mashiko ware (益子焼, Mashiko-yaki) is a type of Japanese pottery traditionally made in Mashiko, Tochigi. Early pottery in Mashiko dates back to the Jōmon and Yayoi periods . Mashikoyaki is often thought of as simple and rustic in style, with brown and maybe a little red glaze , but modern pottery made in Mashiko today is found in many ...