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Artha, as a goal of life, involves the pursuit of wealth and power. Some traditions see it as the primary human objective, as noted in Manusmriti (2.224). The Arthashastra (1.7.6) emphasizes Artha's importance, with Kautilya stating that material gain is the most crucial of the three ends of life, as it supports the realization of dharma and ...
Gṛhastha is considered to be the most intense of all four stages, where a man or woman pursues all four goals of life, with greater emphasis on first three - Dharma, Artha and Kama. [4] [5] [12] In contrast, Sannyasa is the stage where the individual renounces Artha and Kama, and pursues Moksha with a single minded pursuit. [4] [7]
For example, states Brekke, the legends in Hindu epics preach heroism qua heroism which is in contrast to Kautilya suggestion of prudence and never forgetting the four Hindu goals of human life, while Kamandaki's Nitisara, which is similar to Kautilya's Arthashastra, is among other Hindu classics on statecraft and foreign policy that suggest ...
Purushartha (Sanskrit: पुरुषार्थ, IAST: Puruṣārtha) literally means "object(ive) of men". [1] It is a key concept in Hinduism, and refers to the four proper goals or aims of a human life.
Smriti is a derivative secondary work and is considered less authoritative than Sruti in Hinduism, except in the Mimamsa school of Hindu philosophy. [13] [22] [23] The authority of smriti accepted by orthodox schools, is derived from that of shruti, on which it is based. [24] [25] The Smrti literature is a corpus of diverse varied texts. [13]
The fundamental theory of Indian classical music, art and poetry is grounded in the theory of Nada Brahman or Shabda Brahman, and is linked with the Vedic religion. [5] The Apara Brahman mentioned by Mandukya Upanishad is Nada Brahman or Shabda Brahman .
The term padārtha is a portmanteau of pada, "word" and artha, "meaning" or "referent", and so the term padārtha indicates "the meaning or referent of words". [ 3 ] Philosophical significance
Hindu art found its first inspiration in the Buddhist art of Mathura. The three Vedic gods Indra , Brahma and Surya were actually first depicted in Buddhist sculpture, as attendants in scenes commemorating the life of the Buddha, such as his Birth, his Descent from the Trāyastriṃśa Heaven , or his retreat in the Indrasala Cave . [ 13 ]