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In 1994, Doug Supernaw recorded a new version of the song on his second studio album, Deep Thoughts from a Shallow Mind. [5] Supernaw's rendition features a guest vocal from Coe himself, as well as guest appearances by Waylon Jennings, Merle Haggard and Charley Pride, [5] all of whom are mentioned in the original song's second verse.
In 1974, singer David Allan Coe achieved considerable success on the country charts with Goodman's and John Prine's "You Never Even Called Me by My Name", a song which good-naturedly spoofed stereotypical country music lyrics.
Coe’s version appeared as the b-side of “You Never Even Called Me by My Name,” and it would also be recorded as a duet by Waylon Jennings and Willie Nelson in 1983 and by Johnny Cash on his album American Recordings: Solitary Man. The song, which contains poetic lyrics questioning the devotion of a prospective lover, was surprising to ...
"I Don't Call Him Daddy" 1 27 1994 "Red and Rio Grande" 23 28 "State Fair" 55 — Deep Thoughts from a Shallow Mind "You Never Even Called Me By My Name" 60 68 1995 "What'll You Do About Me" 16 26 "Not Enough Hours in the Night" 3 4 You Still Got Me: 1996 "She Never Looks Back" 51 — "You Still Got Me" 53 69 1999 "21 to 17" [21] — — Fadin ...
Steve Goodman is the debut album of singer/songwriter Steve Goodman, released in 1971.It included both of his most well-known compositions: "City of New Orleans", first covered by Arlo Guthrie, and an early version of "You Never Even Call Me by My Name," which, with some modifications, was covered by David Allan Coe.
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He said, 'Well son, you have to wear a mask and then when you don't want to be David Allan Coe, you can take your mask off and go anywhere and not be like Elvis with people messin' with you all the time.' [12] Coe's second album Once Upon a Rhyme contains one of his biggest hits, "You Never Even Called Me by My Name", written by Steve Goodman ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.