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Unlike new extreme films, new French horror emphasises gory violence, torture, and monstrous others. There is often an individual or a group who constitutes the violent monster against which the protagonists must struggle, with death and injury following the main characters until the end of the film when they either escape or are defeated by ...
Download QR code; Print/export Download as PDF; ... Pages in category "New French Extremity films" The following 15 pages are in this category, out of 15 total.
In My Skin (French: Dans ma peau) is a 2002 New French Extremity horror film written by, directed by, and starring Marina de Van.It details the downward mental spiral of Esther, a woman (played by de Van) who engages in increasingly destructive acts of self-mutilation following an accident that injures her leg at a party.
The film title is an acronym of the French title of the novel, Pierre ou les ambiguïtés, plus the Roman numeral "X" indicating the tenth draft version of the script that was used to make the film. The film was entered into the 1999 Cannes Film Festival. [4] Pola X has been associated by some with the New French Extremity.
French-Greek coproduction [7] Oxygene: Alexandre Aja: Mélanie Laurent, Mathieu Amalric, Malik Zidi [8] Paris, 13th District: Jacques Audiard: Jehnny Beth, Noémie Merlant [9] Petite Maman: Céline Sciamma: Joséphine Sanz, Gabrielle Sanz, Stéphane Varupenne, Nina Meurisse [10] A Place Called Dignity: Matías Rojas Valencia
Secret Things (French: Choses secrètes) is a 2002 French erotic drama film written and directed by Jean-Claude Brisseau, starring Coralie Revel and Sabrina Seyvecou. [1] The film is sometimes associated with the New French Extremity. Cahiers du Cinéma named Secret Things, jointly along with Ten by director Abbas Kiarostami, as the best film ...
A 21st-century movement of transgressive French cinema known as New French Extremity was named by film programmer James Quandt in 2004, who declared and derided that films of Catherine Breillat, Claire Denis, Gaspar Noé, and Bruno Dumont, among others, had made "cinema suddenly determined to break every taboo, to wade in rivers of viscera and ...
Baise-moi tells the story of Nadine and Manu who go on a violent spree against a society in which they feel marginalized. Nadine is a part-time sex worker, and Manu a slacker who does anything—including occasional porn film acting—to get by in her small town in southern France.
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