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Maya textiles (k’apak) are the clothing and other textile arts of the Maya peoples, indigenous peoples of the Yucatán Peninsula in Mexico, Guatemala, Honduras, El Salvador and Belize. Women have traditionally created textiles in Maya society , and textiles were a significant form of ancient Maya art and religious beliefs .
The Maya relied on a strong middle class of skilled and semi-skilled workers and artisans which produced both commodities and specialized goods. [1] Governing this middle class was a smaller class of specially educated merchant governors who would direct regional economies based upon simple supply and demand analysis, and place mass orders for other regions.
Maya households interred their dead underneath the floors, with offerings appropriate to the social status of the family. There the dead could act as protective ancestors. Maya lineages were patrilineal, so the worship of a prominent male ancestor would be emphasised, often with a household shrine.
Ancient Mayan social classes included a complex relationship between elites, including kings and merchants, and commoners. [1] The highest ancient Mayan social class included a single centralized leader known as the king or Kʼuhul ajaw , who was most often a man but occasionally a woman. [ 1 ]
In the 1500s, Diego de Landa called Ixchel “the Goddess of making children”. [2] He also mentioned her as the goddess of medicine, as shown by the following. In the month of Zip, the feast Ihcil Ixchel was celebrated by the physicians and shamans (hechiceros), and divination stones as well as medicine bundles containing little idols of "the Goddess of medicine whom they called Ixchel" were ...
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
In the Yucatec Maya language, the name is spelt Kʼukʼulkan (/kʼuː kʼuːlˈkän/) and in Tzotzil it is Kʼukʼul-chon (/kʼuːˈkʼuːl tʃʰon/). [4] The Yucatec form of the name is formed from the word kuk "feather" with the adjectival suffix -ul, giving kukul "feathered", [5] combined with kan "snake" (Tzotzil chon), [6] giving a literal meaning of "feathered snake".
Copan, 'Reviewing Stand' with simian musicians Labna, Palace, vaulted passage. The layout of the Maya towns and cities, and more particularly of the ceremonial centers where the royal families and courtiers resided, is characterized by the rhythm of immense horizontal stucco floors of plazas often located at various levels, connected by broad and often steep stairs, and surmounted by temple ...
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