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Most prominent among these formats was Digital Audio Tape (DAT), followed in the early 1990s by Philips' Digital Compact Cassette (DCC) and Sony's Minidisc. DAT was available as early as 1987 in Japan and Europe, but device manufacturers delayed introducing the format to the United States in the face of opposition from the recording industry.
SCMS sets a "copy" bit in all copies, which prevents anyone from making further copies of those first copies. It does not, however, limit the number of first-generation copies made from a master. SCMS was also included in consumer CD-R, MiniDisc and Digital Compact Cassette (DCC) players and recorders. With the demise of these formats, SCMS is ...
This type of device can often perform the copying process at many times the standard playback speed. Typical multiplexed dubbing decks of either analog ( cassette ) or digital (CD) programs can operate at 48 times the standard playback speed, thus producing complete copies of a program in sixty or ninety seconds.
Luckily for you, cassette players are still available and in some pretty neat configurations that allow you to both listen to and create your own tapes. Here are a few of our favorite options.
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
A single S-VHS tape was capable of storing over 5 GB of data. These extremely expensive storage devices were eventually replaced by CD loading. The benefits of using a digital loop bin are: There is no master tape to degrade during the copying process; Only a single master has to be made; Audio can be transferred at a much higher rate
While tape can provide fast data transfer, it takes tens of seconds to load a cassette and position the tape head to selected data. By contrast, hard disk technology can perform the equivalent action in tens of milliseconds (3 orders of magnitude faster) and can be thought of as offering random access to data.
The dynamic range capability of digital audio systems far exceeds that of analog audio systems. Consumer analog cassette tapes have a dynamic range of between 50 and 75 dB. Analog FM broadcasts rarely have a dynamic range exceeding 50 dB. [4] Analog studio master tapes can have a dynamic range of up to 77 dB. [5]
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