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The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap.
It originally comprised four elements, of which three survive, now all separated: a main panel of the Crucified Christ with the Virgin Mary, Saints and Angels which was bequeathed to the National Gallery, London, by Ludwig Mond, and a three-panel predella from which one panel is lost; the two surviving panels are Eusebius of Cremona raising ...
The center (Virgin and Child with two angels) features an enthroned Virgin holding the Child flanked by angels; the left wing shows St. John with a lamb and the right St. Lawrence holding a book. Virgin and saints are positioned within an area enclosed with archways and columns; a landscape and buildings are visible through the rear openings.
The Icon of the Enthroned Virgin and Child with saints and angels dates from the 6th century and is found at Saint Catherine's Monastery at the foot of Mount Sinai. The 11th century Theotokos Panachranta is from Svensky Monastery. With the Theotokos are SS Anthony and Theodosius of Kiev.
2nd-century AD Roman statue of a Virgo Vestalis Maxima (National Roman Museum) 1st-century BC (43–39 BC) aureus depicting a seated Vestal Virgin marked vestalis. In ancient Rome, the Vestal Virgins or Vestals (Latin: Vestālēs, singular Vestālis [wɛsˈtaːlɪs]) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame.
The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets. The reverse has the rest of a combined cycle of the Life of the Virgin and the Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. The base of the panel has an ...
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The San Marco Altarpiece depicts a portrait of the Virgin and Child seated on a throne surrounded by saints and angels. The formal elements are innovative for a contemporary Virgin and Child altarpiece as the positioning of the characters creates a deeply receding and logical space in front of the landscape background.
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