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The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown.
It was initiated in life of St Bernard of Clairvaux. "La Lumière à Sénanque" (The Light in Sénanque), [22] a chapter of Cîteaux : commentarii cistercienses, a publication of the Cistercian Order. Its author, Kim Lloveras i Montserrat, made in 1992 a complete study of the abbatial, and argues that the abbatial church was designed using a ...
Janet Emig (born October 12, 1928 in Cincinnati, Ohio) was an American composition scholar. She is known for her groundbreaking 1971 study The Composing Process of Twelfth Graders (National Council of Teachers of English Research Report No. 13), which contributed to the development of the process theory of composition.
A giant of early 20th century art, whose glamorous figurative paintings of women played an important role in defining Art Deco, is now the subject of her first-ever U.S. retrospective, currently ...
Decadentism was a fin-de-siecular current perceptible both in art and in literature, music and other cultural manifestations, which emphasized the most existential aspects of life and society, with a pessimistic attitude derived from the philosophy of Schopenhauer and Kierkegaard, and a rebellious and anti-social attitude inspired by works such ...
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
Philosophy was the first of the three pictures presented to the Austrian Government at the seventh Vienna Secession exhibition in March 1900. It had been awarded a gold medal at the World Exhibition in Paris, but was attacked by many art critics in his own country. Klimt described the painting as follows: "On the left a group of figures, the ...
Arthur Wesley Dow was born in Ipswich, Massachusetts, in 1857. [3] Dow received his first art training in 1880 from Anna K. Freeland of Worcester, Massachusetts.The following year, Dow continued his studies in Boston [1] with James M. Stone, a former student of Frank Duveneck and Gustave Bouguereau.