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"LA Devotee" is a song by American rock band Panic! at the Disco. It was released as the first promotional single from the band's fifth studio album, Death of a Bachelor, on November 26, 2015 (Thanksgiving Day) through Fueled by Ramen and DCD2. The song was written by Brendon Urie, White Sea and Jake Sinclair and was produced by Sinclair.
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
The Sansculottides (French pronunciation: [sɑ̃kylɔtid]; also Epagomènes; French: Sans-culottides, Sanculottides, jours complémentaires, jours épagomènes) are holidays following the last month of the year on the French Republican calendar which was used following the French Revolution from approximately 1793 to 1805.
The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). [1] The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme ...
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
During the Ars Nova era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French chanson. In the late sixteenth-century, composers attempted to recreate Greek drama using a style called monody.
Jean-Baptiste Lully, by Paul Mignard. L'Apothéose de Lully, or Concert instrumental sous le titre d'Apothéose composé à la mémoire immortelle de l'incomparable Monsieur de Lully (English: The Apotheosis of Lully or Instrumental concert with the title of an Apotheosis composed in the immortal memory of the incomparable Monsieur de Lully) is a trio sonata composed by François Couperin.
Encyclopaedia Universalis, a French online encyclopedia, presents her work as a firmly scientifically established conclusion. [3] Some musicians have also produced recorded music based on her alleged decipherment, more particularly the French harp player Esther Lamandier and Chanticleer. Haik-Vantoura's work has been rejected by some ...