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The lyrics of "21st Century Schizoid Man" were written by Peter Sinfield and consist chiefly of disconnected phrases which present a series of images in a fixed pattern. . The first line of each verse consists of two short phrases, while the second line is a single, more specific image, and the third is a longer phrase or a full sente
Earthbound is a live album by the band King Crimson, released in June 1972 as a budget record shortly after the line-up that recorded it had broken up. [1] It contains the band's first official live release of their signature song "21st Century Schizoid Man", and an extended live version of their 1970 non-LP B-side "Groon".
A cover of King Crimson's "21st Century Schizoid Man" is also on the album. The track "I Like to Rock" is one of the band's most recognized popular songs. [5] The popularity of these songs helped keep the album on Billboard’s 200 Album charts for a span of 40 weeks. [6]
[3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War. [3] [5] The song's title was used as the name for a live album of recordings done by the original King Crimson, Epitaph. [6] Epitaph Records also took its name from the ...
The name derives from the famous song "21st Century Schizoid Man" from the first King Crimson album, In the Court of the Crimson King. The initial band featured Mel Collins on saxophones , flute and keyboards, Michael Giles on drums, Peter Giles on bass, Ian McDonald on alto saxophone, flute and keyboards, and Jakko Jakszyk on guitar and vocals ...
The set list included songs from the band's first album Greg Lake and Greg's King Crimson composition "21st Century Schizoid Man" as well as a mix of ELP's "Fanfare For The Common Man" and "Karn Evil 9"; Greg's ELP song "Lucky Man", and Gary Moore's "Parisienne Walkways".
The song was also well received by former King Crimson member Greg Lake, the original lead vocalist and bassist on "21st Century Schizoid Man." When asked for his own stance on sampling during an interview with O2 Academy, Lake gave a positive response. He stated, "What I was pleased with was, is the relevance of '21st Century Schizoid Man' today.
An early example is the band's initial signature tune "21st Century Schizoid Man", but the "Larks' Tongues in Aspic" series of compositions (as well as pieces of similar intent such as "THRAK" and "Level Five") went deeper into polyrhythmic complexity, delving into rhythms that wander into and out of general synchronisation with each other, but ...