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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Paintings by Paul Gauguin. Pages in category "Paintings by Paul Gauguin" The following 58 pages are in this category, out of 58 total. ...
Portrait of Madeleine Bernard is an August 1888 oil on canvas painting by Paul Gauguin, now in the Museum of Grenoble, which bought it for 20,000 francs in 1923. [1] [2] [3] It shows Madeleine Bernard, sister of the French painter Émile Bernard (1868-1941) (they both visited Gauguin around that time) and is painted on the other side of the June 1888 The White River by the same artist.
Aline Marie Chazal Tristán, (1825–1867) "The Artist's Mother", 1889, Staatsgalerie Stuttgart Gauguin's maternal grandmother, Flora Tristan (1803–1844) in 1838 Gauguin was born in Paris to Clovis Gauguin and Aline Chazal on 7 June 1848, the year of revolutionary upheavals throughout Europe.
) is an 1897–98 painting by French artist Paul Gauguin. The painting was created in Tahiti and is in the Museum of Fine Arts in Boston, Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels". [1] The painting is notable for its enigmatic subject and atmosphere.
The Cellist (Le violoncelliste) is an oil painting by Paul Gauguin which is kept in the Baltimore Museum of Art. [1] Paul Gauguin painted Fritz Schneklud, a friend and professional musician, in 1894. [2] [3]
The Green Christ (in French: Le Christ vert) is an oil on canvas painting executed by Paul Gauguin in the Autumn of 1889 in Pont-Aven, Brittany. Together with The Yellow Christ, it is considered to be one of the key-works of Symbolism in painting. It depicts a Breton woman at the foot of a calvary, or sculpture of Christ's crucifixion ...
To heighten the luminosity and enhance their jewellike effect, Gauguin applied a thin layer of clear wax to the surface of his early Tahitian paintings. [3] The painting was previously owned by Chester Dale, who left his collection to the National Gallery of Art, Washington, D.C. in 1962. [8]
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