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My Dear Melancholy (stylized as My Dear Melancholy,) is the debut extended play by Canadian singer-songwriter the Weeknd. It was released on March 30, 2018, through XO and Republic Records .
"I Was Never There" is a song by the Canadian singer-songwriter the Weeknd and French DJ Gesaffelstein, from the former's first extended play, My Dear Melancholy (2018). [1] The song was written by the Weeknd, Gesaffelstein, and Frank Dukes, and was produced by the latter two.
"Hurt You" is a song by Canadian singer-songwriter the Weeknd and French producer Gesaffelstein. Released as the fifth track from the Weeknd's debut extended play My Dear Melancholy (2018), it was written by the Weeknd (Abel Tesfaye), Gesaffelstein (Mike Lévy), Guy-Manuel de Homem-Christo of Daft Punk, and Cirkut, with the latter three producing the track.
"Call Out My Name" is a song by the Canadian singer-songwriter the Weeknd from his debut extended play, My Dear Melancholy (2018). The song was co-written by the Weeknd and producer Frank Dukes, with musician Nicolas Jaar receiving writing credits for the sampling of his 2016 song "Killing Time".
"Try Me" is a song by the Canadian singer-songwriter the Weeknd from his debut extended play, My Dear Melancholy, (2018). [1] The song was written by the Weeknd, Ahmad Balshe, Jason Quenneville, Adam Feeney, Michael Williams and Marquel Middlebrooks. It was produced by Mike Will Made It, Marz, Frank Dukes, and DaHeala.
Over the past year, a number of high-profile companies have done about-faces on diversity, including Meta (), Walmart (), McDonald's (), Lowe’s (), Ford (), Tractor Supply (), and John Deere ...
Echoes of Silence is the third mixtape by the Canadian singer-songwriter the Weeknd, released on December 21, 2011, by XO. [1] Like his debut mixtape House of Balloons and his second mixtape Thursday, the Weeknd collaborated with musician Illangelo; who produced the majority of the project. [2]
[43] Tom Ewing of The Guardian felt that while the Weeknd's vocals and lyrics on House of Balloons "aren't especially strong by R&B standards," much of the album's attention was attracted by its strong command of mood. [44] In December 2011, Metacritic determined that House of Balloons was the third best-reviewed project of the year. [45]