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Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba.He was of mixed-race ancestry: his mother, the former Ana Serafina Castilla, was born to a Congolese former slave mother and a Cuban mulatto father and his father, Yam Lam, was a Chinese immigrant. [2]
The Bandar-log feature most prominently in the story "Kaa's Hunting", where their scatterbrained anarchy causes them to be treated as pariahs by the rest of the jungle. [2] Their foolish and chattering ways are illustrated by their slogan: We are great. We are free. We are wonderful. We are the most wonderful people in all the jungle!
The Second Jungle Book is a sequel to The Jungle Book by Rudyard Kipling. [1] First published in 1895, it features five stories about Mowgli and three unrelated stories, all but one set in India, most of which Kipling wrote while living in Vermont. All of the stories were previously published in magazines in 1894–5, often under different titles.
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First US edition, Doubleday, Doran & Company, 1936, cover by Kurt Wiese. All the Mowgli Stories is a collection of short stories by Rudyard Kipling.As the title suggests, the book is a chronological compilation of the stories about Mowgli from The Jungle Book and The Second Jungle Book, together with "In the Rukh" (the first Mowgli story written, although the last in chronological order).
Lowery Stokes Sims (born 1949) is an American art historian and curator of modern and contemporary art. She is known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others.
The Jungle Book 2 was released on both VHS and DVD on June 10, 2003. The bonus features included the behind-the-scenes, some music videos, "W-I-L-D", "I Wan'na Be like You" and "Jungle Rhythm", and deleted scenes. It was rereleased on June 17, 2008 as a "Special Edition" DVD with additional bonus features.
In Paris, Wilfredo Lam met José Sainz, a fellow Cuban, and the two remained friends after Lam returned to Cuba. In the artist's life, Sainz had a significant role in tying his art to his Afro-Cuban and Caribbean heritage, which would subsequently have a significant impact on his output.