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  2. Ed Clark (artist) - Wikipedia

    en.wikipedia.org/wiki/Ed_Clark_(artist)

    Especially later when he placed the canvas on the floor, the broom in Clark’s hands spread color in wide, often horizontal swaths that spoke of energy and speed. [1] [3] He called it his “big sweep.” [6] From oils in his early years, he moved on to brilliant acrylics on large canvases, and softer, quieter dry pigments on paper. [7]

  3. Shaped canvas - Wikipedia

    en.wikipedia.org/wiki/Shaped_canvas

    Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]

  4. 20th-century Western painting - Wikipedia

    en.wikipedia.org/wiki/20th-century_Western_painting

    It essentially involved abstract paintings with large, flat expanses of color that expressed the sensual, and visual feelings and properties of large areas of nuanced surface. Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting. The overall expanse and gestalt of the work of the early ...

  5. Composition with Grid No. 1 - Wikipedia

    en.wikipedia.org/wiki/Composition_with_Grid_No._1

    Mondrian drew the underlying modular system onto the canvas in charcoal. He then used dark grey oil paints to delineate rectangular areas of varying sizes on this grid. [3] Thus, the painting's visible rectangles are superimposed on the underlying grid, giving what the Museum of Fine Arts, Houston, describes as "an exceptional harmony of ...

  6. One: Number 31, 1950 - Wikipedia

    en.wikipedia.org/wiki/One:_Number_31,_1950

    One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...

  7. No. 61 (Rust and Blue) - Wikipedia

    en.wikipedia.org/wiki/No._61_(Rust_and_Blue)

    The work was first exhibited at the Museum of Modern Art, New York in 1961 [1] but is now in the collection of the Museum of Contemporary Art, Los Angeles. [2] Similar to Rothko's other works from this period, No. 61 consists of large expanses of color with dark shades. Rust and Blue was a part of the Color Field movement.

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