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Mondrian drew the underlying modular system onto the canvas in charcoal. He then used dark grey oil paints to delineate rectangular areas of varying sizes on this grid. [3] Thus, the painting's visible rectangles are superimposed on the underlying grid, giving what the Museum of Fine Arts, Houston, describes as "an exceptional harmony of ...
There is evidence that she began experimenting with automatic painting and created black-and-white, hybridized, monstrous figures on large canvases in 1950. [48] These were the paintings that Betty Parsons saw when she visited The Springs that summer, causing the gallerist to offer Krasner a show in the fall. [ 48 ]
Other works mix long lines of red amidst the familiar black lines, creating a new sense of depth by the addition of a colored layer on top of the black one. His painting Composition No. 10, 1939–1942, characterized by primary colors, white ground and black grid lines clearly defined Mondrian's radical but classical approach to the rectangle.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...
It essentially involved abstract paintings with large, flat expanses of color that expressed the sensual, and visual feelings and properties of large areas of nuanced surface. Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting. The overall expanse and gestalt of the work of the early ...
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