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"Bubble Pop!" is a song recorded by South Korean singer Hyuna for her debut extended play Bubble Pop! (2011). It was released as the title track from the EP by Cube Entertainment and Universal Music on July 5, 2011. [1] The lyrics were written by Shinsadong Tiger and Choi Kyusung, who also composed the music.
Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is marketed for children and adolescents. [13] The term also refers to a more specific rock and pop subgenre, [14] originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and ...
L.A. Boyz (song) Lagi (song) Life's Too Short (Aespa song) Lips Are Movin; The Little Black Egg; Little Willy (song) Live While We're Young; Lollipop (BigBang and 2NE1 song) Lollipop (Mika song) London Boy (song) Love (Lana Del Rey song) Love Grows (Where My Rosemary Goes) Lucky (Britney Spears song) Lust for Life (Lana Del Rey song)
The song reached number 4 on the Gaon Weekly Digital Chart [9] and finished at number 21 on Gaon's 2011 year-end chart. It has sold 2,694,310 digital copies. [citation needed] On December 9, 2011, the title track "Bubble Pop!" ranked at #9 on the American music magazine Spin's "20 Best Songs of 2011" list. [10]
[15] [32] "Bubble Pop Electric", the fifth track, is an electro song featuring André 3000's alias Johnny Vulture. It tells of the two having sex at a drive-in movie , and it was generally well received by critics, who drew comparisons to the 1978 film Grease and its 1982 sequel Grease 2 .
Bubble Bobble Revolution (known in Japan as Bubble Bobble DS) was released on the Nintendo DS in 2005. It includes the entire original Bubble Bobble game, as well as a new mode called New Age, which features new graphics, larger levels, and faster enemies.
The simple structure of the songs and non-political content of bubblegum pop appealed to a younger audience. [3] Many of the songs in the bubblegum pop genre like "1,2,3 Red Light" were intended to be singles within the budget of that younger preteen audience. "1,2, 3 Red Light" became one of the biggest hits of the genre.
In The New York Times, Jon Caramanica described it as "Norwegianish Spotifycore" and a "bubble-pop" song. [21] The Independent's Roisin O'Connor regarded "Never Really Over" as a "truly gratifying return" for Perry after "a period of misfires", noting that it has "hooks galore and harks back her Teenage Dream days of uplifting, bright pop music."