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Photographs of the children lying on a blanket were printed in newspapers across the country. Thousands came to view the bodies in hopes of identifying them. Death masks were made before burial to aid in the search for the girls' identities. Some clothing, towels, and children's books were found, but labels which may have contained their names ...
Post-mortem photograph of Emperor Frederick III of Germany, 1888. Post-mortem photograph of Brazil's deposed emperor Pedro II, taken by Nadar, 1891.. The invention of the daguerreotype in 1839 made portraiture commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session.
In an exclusive excerpt from ‘Postmortem: What Survives The John Wayne Gacy Murders,’ Courtney Lund O’Neil details her mother’s friendship with Robert Piest, Gacy’s final victim
Elmo Patrick "Pat" Sonnier (February 21, 1950 – April 5, 1984) was a convicted American murderer and rapist in Louisiana who was executed by electrocution at Louisiana State Penitentiary in Louisiana on April 5, 1984. Sonnier was sentenced to death on April 25, 1978, for the November 5, 1977, rape and murder of Loretta Ann Bourque, 18, and ...
A man has been arrested over the leak of graphic crime scene photos taken from the wooded trail where teenage best friends Libby German and Abby Williams were brutally murdered.. In what marks the ...
A leak of crime scene photos from the Delphi murders case could threaten to derail the trial of accused killer Richard Allen.. Graphic photos of the scene where teenage best friends Libby German ...
Emilio Estevez on his lost 'Apocalypse Now' scene, playing a 'creeper' in 'St. Elmo's Fire' and what he really thinks of the term 'Brat Pack' Kevin Polowy May 16, 2023 at 7:00 AM
Valley of the Shadow of Death: 23 April 1855 Roger Fenton Sevastopol, Crimea Wet collodion negative Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3]