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Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.
An auriga (plural aurigae) was a slave who drove vehicles in the Roman circuses.The position of auriga was a dangerous one as the aurigae drove with the reins wrapped around his waist.
The first inscriptions on the UNESCO Memory of the World International Register were made in 1997. [1] By creating a compendium of important library and archive holdings – including books, manuscripts, audio-visual materials, and digital documents [2] – the program aims to use its networks of experts to exchange information and raise resources for the preservation, digitization, and ...
"Thou my dear son, set thee now beside me, and I will deliver thee true instructions. My son, I feel that my hour is coming. My countenance is wan. My days are almost done. We must now part. I shall to another world, and thou shalt be left alone in all my wealth. I pray thee (for thou art my dear child) strive to be a father, and a lord to thy ...
Thou Art That is a book by Joseph Campbell exploring the mythological underpinnings of the Judeo-Christian-Islamic tradition. It was edited posthumously from Campbell's lectures and unpublished writing by Eugene Kennedy .
Simply Jigsaw. Piece together a new jigsaw puzzle every day, complete with themes that follow the seasons and a super useful edges-only tool. By Masque Publishing
The song contains a section of spoken Latin, from the 1976 horror film To the Devil a Daughter. The Latin states: Insipientia corde suo, non es deus. Non est vita qui adorem, non es usque ad unum. Es excommunicatus, ex unione fidelium. ("Foolish of heart, thou art not a god. There is no life for those who do not adore, and to a man thou hast not.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...