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Nishikiyama has a tattoo on his back of a koi, a type of Asian carp which symbolizes strength and bravery and alludes to his namesake. [1] The carp is closely connected to the dragon, based on the Chinese mythological tale of carps leaping over the Dragon Gate.
[3]: 124 The Chinese character for fish is yu (traditional Chinese: 魚; simplified Chinese: 鱼; pinyin: yú). It is pronounced with a different tone in modern Chinese, 裕 (yù) means "abundance". Alternatively, 餘, meaning "over, more than", is a true homophone, so the common Chinese New Year greeting appears as 年年有魚 or 年年有餘.
Lü Xing is an ancient Chinese book that records legal principles, judicial system, and atonement.. Tattoos have been documented since the ancient Shang dynasty, when the Zhou refugees Wu Taibo and Zhongyong were recorded cutting their hair and tattooing themselves to gain the acceptance of the Jīngmán people (t 荊蠻, s 荆蛮) of the Yangtze River Delta prior to the establishment of the ...
The qilin (English: / tʃ i ˈ l ɪ n / chee-LIN; Chinese: 麒麟) is a legendary hooved chimerical creature that appears in Chinese mythology, and is said to appear with the imminent arrival or death of a sage or illustrious ruler. [1] Qilin are a specific type of the lin mythological family of one-horned beasts. The qilin also appears in the ...
The ancient Chinese self-identified as "the gods of the dragon" because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and qi energy. [10] Dragon-like motifs of a zoomorphic composition in reddish-brown stone have been found at the Chahai site (Liaoning) in the Xinglongwa culture (6200–5400 BC). [2]
He describes the dragon and the fish as symbols of strength, while the octopus was originally supposed to be a small squid but became much larger than he had intended. [110] He got the dragon tattoo first because of a toy he brought back from Japan as a child, and the koi was added a year later after he learned of an ancient Chinese legend of ...
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
A 19th-century drawing of Sun Wukong featuring his staff. Ruyi Jingu Bang (Chinese: 如意金箍棒; pinyin: Rúyì Jīngū Bàng; Wade–Giles: Ju 2-yi 4 Chin 1-ku 1-pang 4), or simply Ruyi Bang or Jingu Bang, is the poetic name of a magical staff wielded by the immortal monkey Sun Wukong in the 16th-century classic Chinese novel Journey to the West.