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The Dire Straits songs makes use of certain aspects of Shakespeare's play, as well as elements of some of the play's stage and screen adaptations. It also purposely diverges from the play's plot and characterizations in certain respects (such as Juliet's reaction to being approached by Romeo). [179] "Rusty James" ¡Uno! Green Day: Rumble Fish ...
I Hate Music: A cycle of Five Kid Songs for Soprano and Piano (1943) Big Stuff, sung by Billie Holiday (1944) Afterthought, study for the ballet "Facsimile" for Soprano and Piano or Orchestra (1945) La Bonne Cuisine: Four Recipes for Voice and Piano (1947) Two Love Songs on Poems by Rainer Maria Rilke for Voice and Piano (1949)
Essay (Writing through the Essay "On the Duty of Civil Disobedience"), for computer-generated tapes (1987–88) Two, for flute and piano (April 1987) Organ 2 /ASLSP, for organ (June 1987) One, for piano (December 1987) Europeras 1 & 2, for 19 voices and 21 musicians (1987, Europeras include a piece for tape called Truckera, also 1987)
Burt Bacharach, one of the most accomplished and revered songwriters in pop music history, died peacefully in his Los Angeles home yesterday (Feb. 8) at the age of 94. Rising to fame in the ‘50s ...
The contest began and after a number of months dozens of entries had been received. The band listened to and judged the entries over the course of the next world tour, and the winner was announced to be a composition by Andy Rowland and Ant Law.
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes, [25] [26] [27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, [28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It!
The Go-Go's split, and "Mad About You" and two other songs co-written by Paula Jean Brown ended up on Belinda. [ 2 ] The single's B-side , "I Never Wanted a Rich Man", was also featured on Carlisle's first long playing work (it closed Side 1 on the vinyl edition ).
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."