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A great friend and protégé of Madeleine de Scudéry, L'Héritier's participation in the fairy tale genre reflected her involvement in the salon scene, as she and so many of her friends and fellow salonnières, such as Madame d'Aulnoy and Henriette-Julie de Murat, were members of les conteuses.
Madeleine de Scudéry (French pronunciation: [madlɛn də skydeʁi]; 15 November 1607 – 2 June 1701), often known simply as Mademoiselle de Scudéry ([madmwazɛl də skydeʁi]), was a French writer. Her works also demonstrate such comprehensive knowledge of ancient history that it is suspected she had received instruction in Greek and Latin. [1]
Mademoiselle de Scuderi. A Tale from the Times of Louis XIV (German: Das Fräulein von Scuderi. Erzählung aus dem Zeitalter Ludwig des Vierzehnten) is a 1819 novella by E. T. A. Hoffmann which was first published in the Yearbook for 1820. Dedicated to Love and Friendship (German: Taschenbuch für das Jahr 1820. Der Liebe und Freundschaft ...
Marie-Anne de Châteauneuf (c. 1668–1748 [1]), known as Mademoiselle Duclos, was a French stage actress. She had a long career at the Comédie-Française and played leading roles in tragedies by Racine and other major playwrights of her era. One of the most famous actresses of the Comédie Française in Paris, her declamatory acting style ...
"Mademoiselle" (Mlle) is a traditional alternative for an unmarried woman. The plural is Mesdemoiselles (Mlles). Usage of "Mademoiselle" varies based on regions and ideology. In Canada and Switzerland, public administrations have been banned from using this title for a long time. France has taken this step in 2012. [1]
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The name of the album is ironic in the French language because it uses both the familiar (te) and formal (vous) second-person pronouns.By using both the familiar and formal in the same short declaration, it shows a tension in the speaker's voice between the admiration of one that she respects formally, and someone that she dearly loves on a familiar level.
She ran a Salon with a Mlle de Scudéry from 1653–1659. She was in contact with members and founders of the Académie française. [1] Bocquet's compositions explore the chromatic possibilities of the lute, with preludes in every key. Manuscript F-Pn Vm.7 6214 [2] of the Bibliothèque nationale de France contains a number of her preludes. Her ...