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The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on Luke 1:46–55, and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox. [2]
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
The Daily Office is a term used primarily by members of the Episcopal Church. In Anglican churches, the traditional canonical hours of daily services include Morning Prayer (also called Matins or Mattins, especially when chanted) and Evening Prayer (called Evensong, especially when celebrated chorally), usually following the Book of Common Prayer.
After the psalms, there is a reading from the Bible. Following the reading, there is a short responsory consisting of a verse, a response, the first half only of the Gloria Patri, and then the verse again. The Magnificat follows – the canticle of the Blessed Virgin Mary from the Luke 1:46–55 – the key
Prayer and the reading of Scripture were important elements of Early Christianity. In the early Church worship was inseparable from doctrine as reflected in the statement: lex orandi, lex credendi, i.e. the law of belief is the law of prayer. [30] Early Christian liturgies highlight the importance of prayer. [31]
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, [a] as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord".
Magnificat, a regular part in Catholic vesper services, was also used in the Lutheran church, in vespers and for Marian feasts. Schütz set the Magnificat text once in Latin and five times in German, Meine Seele erhebt den Herren (My soul magnifies the Lord), also called German Magnificat. Schütz composed them at different times for different ...