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Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
The fonts remain available for download after Malyshev's 2019 death. CM-super [ 26 ] – a very large extension of Computer Modern, available in a variety of encodings. These fonts were automatically vectorized from Computer Modern or EC font bitmaps and therefore lack the hinting information in the BlueSky fonts.
Download QR code; Print/export Download as PDF; ... The "Included from" column indicates the first edition of Windows in which the font was included. Included ...
Lucida Grande (former Mac OS X system font, used from Mac OS X 10.0 to Mac OS X 10.9) Designer: Charles Bigelow, Kris Holmes Class: Humanist : Lucida Sans Designer: Charles Bigelow, Kris Holmes Class: Humanist : FS Me Designer: Jason Smith Class: Humanist : FF Meta Designer: Erik Spiekermann Class: Humanist : Microsoft Sans Serif Designer ...
Novarese later developed Eurostile in 1962, (a normal and condensed typeface variant) very similar to Microgramma. Eurostile added lower-case letters, a bold condensed variant, and an ultra narrow design he called Eurostile Compact. Microgramma is almost always used in its extended and bold extended forms (pictured).
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.
Microgramma was a titling font with only uppercase letters, which came with a variety of weights. A decade after Microgramma, Novarese resolved this limitation with his design of Eurostile, which added lowercase letters, a bold condensed variant, and an ultra narrow design he called Eurostile Compact, for a total of seven fonts.