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"The Empath" is the twelfth episode of the third season of the American science fiction television series Star Trek. Written by Joyce Muskat and directed by John Erman , it was first broadcast on December 6, 1968.
In psychology, empaths (/ ˈ ɛ m p æ θ /; from Ancient Greek ἐμπάθ (εια) (empáth(eia)) 'passion') are people who have a higher than usual level of empathy, called hyperempathy. [1] While objective empathy level testing is difficult, tests such as the EQ -8 have gained some acceptance as tests for being empathic.
Empath (Manuel Alfonso Rodrigo de la Rocha) is a fictional mutant character appearing in American comic books published by Marvel Comics. The character is usually depicted as possessing the ability to control emotion in other people.
Must be a defining trait – Characters with access to vast powers (such as magical spells, advanced technology and genetic engineering) who are theoretically capable of this superhuman feature or ability – but who have neither made regular use nor provided a notable example of this extraordinary or supernatural feat – are not listed here.
Empathy is generally described as the ability to take on another person's perspective, to understand, feel, and possibly share and respond to their experience. [1] [2] [3] There are more (sometimes conflicting) definitions of empathy that include but are not limited to social, cognitive, and emotional processes primarily concerned with understanding others.
Early in her career, Hays made numerous appearances on episodic TV, and made a few later in her career. In 1968, she appeared in Star Trek as the eponymous central character in the episode “The Empath”, playing a mute alien with healing powers. [1] She also had appearances in The Man from U.N.C.L.E. and The Road West. [1]
An empath is someone with unusually high empathy. Empath may also refer to: Empath, by Devin Townsend, 2019; Empath (band), an American noise punk band; Empath (comics), a fictional mutant in the Marvel universe "The Empath", an episode of Star Trek: The Original Series
Simulation theory is based in philosophy of mind, a branch of philosophy that studies the nature of the mind and its relationship to the brain, especially the work of Alvin Goldman and Robert Gordon.