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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [ 3 ]
Schmutzer's Engraved portrait of Strauss, 1922. The orchestral Dance Suite from Keyboard Pieces by François Couperin (Tanzsuite aus Klavierstücken von François Couperin), TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 ...
This is a discography of Der Rosenkavalier, [1] [2] [3] an opera in three acts with music by Richard Strauss to a German-language libretto by Hugo von Hofmannsthal. Der Rosenkavalier was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt.
The third waltz is from Richard Strauss's comic opera Der Rosenkavalier. The composer wrote, "From time to time these originals float briefly to the surface. The three waltz episodes are surrounded by slower music forming an introduction, interludes, and a coda; this slower music, too, sometimes alludes to Rosenkavalier." Stucky continued:
Der Rosenkavalier (The Knight of the Rose) is a 206-minute studio album of Richard Strauss's opera, performed by a cast led by Jules Bastin, José Carreras, Derek Hammond-Stroud, Evelyn Lear, Frederica von Stade, and Ruth Welting with the Rotterdam Philharmonic Orchestra under the direction of Edo de Waart. It was released in 1977.
Der Rosenkavalier is a 1926 Austrian silent film of the opera of the same name by Richard Strauss (music) and Hugo von Hofmannsthal . Directed by Robert Wiene , it premiered on 10 January 1926 at the Dresden Semperoper , which had also hosted the actual opera's premiere 15 years earlier.
The Four Last Songs (German: Vier letzte Lieder), Op. posth., for soprano and orchestra are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss.
The Emperor (Der Kaiser) heldentenor: Karl Aagaard Østvig: The Empress (Die Kaiserin), Keikobad's daughter: dramatic coloratura soprano: Maria Jeritza: The Nurse (Die Amme), her guardian: dramatic mezzo-soprano: Lucie Weidt: Barak, the Dyer (Barak, der Färber) bass-baritone: Richard Mayr: The Dyer's Wife (Die Färberin) high dramatic soprano ...