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Smooth jazz is a term used to describe commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. As a radio format, however, it is clear that smooth jazz became the successor to easy listening music on radio station programming in the mid-1970s to ...
Philippe Saisse. Joe Sample. Wilhelm Schröter. Dan Siegel (musician) Oli Silk. Brian Simpson (musician) Paul Sullivan (composer)
The first CD from the Weather Channel heralded the network's entry into retail music. The network's music had been a source of interest for viewers, who had written in for years asking where they could purchase the music played during the "Local on the 8s" segment, broadcast 288 minutes each day. The 12-song compilation features the channel's ...
Smooth jazz was a popular radio format that included songs by artists such as George Benson, Pat Metheny, Kenny G, Luther Vandross, Sade, Robin Thicke, Anita Baker, Basia, Dave Koz and Chuck Mangione. It began in the 1980s as "adult alternative" or NAC (New Age Contemporary or New Adult Contemporary), a well-defined radio format, with jazz, new ...
Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him "one of the most gifted arrangers to emerge in popular music." [186] [187] The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. [28]
Lou Rawls – 'For What It's Worth" Maze – "Joy And Pain"; Timmy Thomas – "Why Can't We Live Together" The Isley Brothers – "That Lady"; Bobbi Humphrey – "You Are The Sunshine Of My Life"
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Free jazz, or free form in the early to mid-1970s, [ 1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...