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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Byzantine mosaics. 10th century mosaic of Virgin and Child on a gold ground in the former cathedral Hagia Sophia in Istanbul, Turkey. Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms ...
The painting can also be viewed as an allusion to Christ's triumph over Satan (spiritual) or the victory of a ruler over an adversary (secular). The Paris Psalter is very famous within ancient Byzantine art, and although there are other psalters, this is the most famous out of the seventy five illuminated Byzantine psalters.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might ...
Giovanni Cimabue ( Italian: [tʃimaˈbuːe] ), [1] c. 1240 – 1302, [2] was an Italian painter and designer of mosaics from Florence. He was also known as Cenni di Pepo [3] or Cenni di Pepi. [4] Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo ...
Lazarus Zographos. Categories: Byzantine artists. Painters by former country. Greek painters. Icon painters. Hidden category: Commons category link is on Wikidata.
Barberini ivory on display at the Louvre. The Barberini ivoryis a Byzantineivoryleaf from an imperial diptychdating from Late Antiquity, now in the Louvrein Paris. It represents the emperor as triumphant victor. It is generally dated from the first half of the 6th century and is attributed to an imperial workshop in Constantinople, while the ...
Duccio began to break down the sharp lines of Byzantine art, and soften the figures. He used modeling (playing with light and dark colors) to reveal the figures underneath the heavy drapery; hands, faces, and feet became more rounded and three-dimensional. Duccio's paintings are inviting and warm with color.
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