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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx.Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
Harry Blamires (6 November 1916 – 21 November 2017) was an English Anglican theologian, literary critic, and novelist. Blamires was once head of the English department at King Alfred's College (now the University of Winchester ) in Winchester, England .
Western Marxism, Marxist hermeneutics, Marxist humanism: Amadeo Bordiga: Ercolano, Kingdom of Italy: Formia, Italy: Italian 1889–1970 Italian Left communism, Leninism: Bertolt Brecht [6] Augsburg, German Empire: East Berlin, East Germany: German 1898–1956 Marxist literary criticism: Nikolai Bukharin: Moscow, Russian Empire
Nonetheless, the story told through the ruling understandings conceals as much as it reveals about society. The task of the Frankfurt School was sociological analysis and interpretation of the areas of social-relation that Marx did not discuss in the 19th century – especially the base and superstructure aspects of a capitalist society. [24]
As Marxist Literary theory underwent a 'cultural turn,' Illusion and Reality was increasingly seen as dogmatic and rigid in its discussion of bourgeois poetry. The debate shifted away from its use of Freudian concepts to its ties with Stalinist Marxism .
Articles relating to literary criticism, the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory , which is the philosophical discussion of literature's goals and methods.
The criticism most often heard from the critics of Marx, such as Friedrich von Hayek, Karl Popper, Francis Wheen and Ian Steedman is that, even if Marx himself meant well, Marx's value-form idea is simply an esoteric obscurantism, "dialectical hocus pocus", "sophistry", or "mumbo jumbo". Francis Wheen refers to "a shaggy-dog story, a picaresque ...
The gender/queer lens, while influenced by the feminist lens, treats gender as more of a spectrum, and also considers human sexuality. [5] David Richter notes in The Critical Tradition: Classic Texts and Contemporary Trends that "XXY syndromes, natural sexual bimorphisms, as well as surgical transsexuals [...] defy attempts at binary classification".