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Earliest known (6th century) Roman depiction of Satna Maria Regina (Saint Mary the Queen), Santa Maria Antiqua church, Rome. The depiction of the Virgin Mary as the Queen of Heaven has been a popular subject in Catholic art for centuries. Early Christian art shows Mary in an elevated position. She carries her divine son Jesus in her hands, or ...
Mary as the Queen of Heaven in Dante's Divine Comedy. Illustration by Gustave Doré. The Regina Caeli ("Queen of Heaven") is an anthem of the Catholic Church which replaces the Angelus during Eastertide, the fifty days from Easter Sunday to Pentecost Sunday. [24] It is named for its opening words in Latin. Of unknown authorship, the anthem has ...
In addition, there are Canonical coronations authorized by the Pope which are given to specific Marian images venerated in a particular place. The act of the Virgin Mother of God being physically crowned as Queen of Heaven and Earth after her Assumption is a traditional Catholic belief echoed in the Rosary.
While theft is one way that Byzantine images made their way West to Italy, the relationship between Byzantine icons and Italian images of the Madonna is far more rich and complicated. Byzantine art played a long, critical role in Western Europe, especially when Byzantine territories included parts of Eastern Europe, Greece and much of Italy itself.
The local visit falls near the beginning of multi-week tour of Northeast Ohio parishes within Diocese of Cleveland.
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
Mary, the mother of Jesus in Christianity, is known by many different titles (Blessed Mother, Virgin Mary, Mother of God, Our Lady, Holy Virgin, Madonna), epithets (Star of the Sea, Queen of Heaven, Cause of Our Joy), invocations (Panagia, Mother of Mercy, God-bearer Theotokos), and several names associated with places (Our Lady of Loreto, Our Lady of Fátima).
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.