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Scholars date the composition to the year 1718 but scholar Harjinder Singh argues it was written down earlier between the years 1699–1708, originating in the ghazals of Bhai Nand Lal. [ 3 ] While not present in early Sikh scripture, it is found in the third dohra , or couplet, of Guru Gobind Singh 's Guru Maneyo Granth verse, conferred upon ...
One recension claims that “Manu Prajāpati originally composed a text in 100,000 verses and 1080 chapters, which was successively abridged by the sages Nārada, Mārkandeya, and Sumati Bhārgava, down to a text of 4,000 verses.” [7] Nāradasmṛti, according to this recension's claim, represent the ninth chapter, regarding legal procedure, of Manu’s original text.
The poem opens with a line of Arabic, which according to the commentary of the Bosnian-Turkish scholar Ahmed Sudi (d. 1598), is adapted from a quatrain written by the 7th-century Caliph Yazid I. [4] The original quatrain, according to Sudi, was as follows: انا المسموم ما عندي بترياق ولا راقي ادر كاساً ...
An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, Bhuvaneshwar. Söhnen, Renate. 1995. “On the Concept and Presentation of ‘yamaka’ in Early Indian Poetic Theory”. In: Bulletin of the School of Oriental and African Studies Vol ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Mahabhashya (Sanskrit: महाभाष्य, IAST: Mahābhāṣya, IPA: [mɐɦaːbʱaːʂjɐ], "Great Commentary"), attributed to Patañjali, is a commentary on selected rules of Sanskrit grammar from Pāṇini's treatise, the Aṣṭādhyāyī, as well as Kātyāyana's Vārttika-sūtra, an elaboration of Pāṇini's grammar.
The Ramacharitam is a Sanskrit epic poem written in Arya metre by a Bengali poet named Sandhyakar Nandi (c. 1084–1155 CE) during the Pala Empire.This work simultaneously narrates the story of the Ramayana and the Pala king Ramapala.It is mainly famous for describing the Varendra rebellion – a very critical event in early mediaeval history of Bengal.
Sālhā del talab-ē jām-e Jam az mā mīkard is a ghazal by the 14th-century Persian poet Hāfez of Shiraz.It is no. 142 [1] (but in the Ganjoor website, no. 143) in The Divān of Hafez by Muhammad Qazvini and Qasem Ghani (1941), and 136 in the edition of Parviz Natel-Khanlari (1983, 2nd ed.).