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Spraycan Art is the first book that documented the initial stages of the worldwide spread of New York City Subway graffiti style and subculture. Authored by Henry Chalfant and James Prigoff and published by Thames & Hudson on September 1, 1987.
Montana Colors, also known as MTN, or sometimes Spanish Montana [1] (to distinguish it from German brand Montana Cans), is an art company founded by Jordi Rubio in Barcelona in 1994. [2] The majority of its products are designed for use in graffiti. [3] [4] They are considered to be one of the best spray paint brands in the world. [5] [6] [7]
Spray paint art uses spray painting on a non-porous material, such as wood, metal, glass, ceramic or plastic. Spray paint art is usually street art , in large cities. Themes may include surreal landscapes of planets, comets, pyramids, cities, and nature scenes.
Eduardo Vea Keating, a creative director for advertising and a Chicago resident, is known for leaving inspiring drawings around the Windy City. Rather than using the conventional paint and canvas ...
Phetus' Phat Phace logo. Phetus (born 20th century) is an American artist with roots in the graffiti and street art movement. [1]Originally from Huntington, Long Island, [2] and now based in Manhattan, "Phetus" has been creating artwork under his "Phat Phace" icon since 1988. [3]
The Cool S, also known as the Universal S, the Stüssy S, the Super S, the Pointy S, and the Graffiti S, is a graffiti sign in popular culture and childlore that is typically doodled on children's notebooks or graffitied on walls. The exact origin of the Cool S is unknown, [1] but it became prevalent around the early 1970s as a part of graffiti ...
Robert Del Naja (Bristol) (also known as 3D) – graffiti, street art, album covers; Guy Denning (born Bristol) – stencil graffiti, paste-up, painting; Ben Eine – street art, alphabet letters; Inkie (Bristol and London) – graffiti, street art, grap design; Paul Insect (London) – graffiti, stencil graffiti, street art
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
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