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Spraycan Art is the first book that documented the initial stages of the worldwide spread of New York City Subway graffiti style and subculture. Authored by Henry Chalfant and James Prigoff and published by Thames & Hudson on September 1, 1987.
Spray paint art uses spray painting on a non-porous material, such as wood, metal, glass, ceramic or plastic. Spray paint art is usually street art , in large cities. Themes may include surreal landscapes of planets, comets, pyramids, cities, and nature scenes.
Tavar Zawacki f.k.a. 'ABOVE' (United States) - stencil graffiti, art intervention, screenprinting Faile (USA/Canada/Japan) - stencil graffiti, street poster art, screenprinting Ray Ferrer (USA) - spray paint, hand-cut stencils
Tags in Amsterdam. Tags are one of the primary forms of modern graffiti, along with throw ups and pieces.The act of writing a tag is known as tagging.Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow [1] and are the form that most artists start with. [2]
Montana Colors, also known as MTN, or sometimes Spanish Montana [1] (to distinguish it from German brand Montana Cans), is an art company founded by Jordi Rubio in Barcelona in 1994. [2] The majority of its products are designed for use in graffiti. [3] [4] They are considered to be one of the best spray paint brands in the world. [5] [6] [7]
Graffiti (singular graffiti or graffito, the latter only used in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view. [ 1 ] [ 2 ] Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times , with examples dating back ...
Cool "Disco" Dan (Dan Hogg, Washington, D.C.) – graffiti Cope2 (born Fernando Carlo in the Bronx, New York) – graffiti Cornbread (born Darryl McCray in Philadelphia, Pennsylvania) – graffiti
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
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