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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Pages in category "Ukiyo-e artists" The following 106 pages are in this category, out of 106 total. This list may not reflect recent changes. A.
Occasionally the same art-name would be re-used by different, un-related artists at different times (e.g. Kunichika or Kunihisa). Equally possible was the use of homonymic names – ones which sound the same, but are written with different kanji (e.g. Hiromasa (広昌) and Hiromasa (広政)).
Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. [5] Ukiyo-e, as practised by artists like Shunshō, focused on images of the courtesans and kabuki actors who were popular in Japan's cities at the time. [7]
When artists and writers put out prints and books based on the Ehon Taikōki in the disparaged ukiyo-e style, it attracted reprisals from the government. In probably the most famous case of censorship of the Edo period, [ 24 ] Utamaro was imprisoned in 1804, [ k ] after which he was manacled along with Tsukimaro, Toyokuni, Shuntei , Shun'ei ...
Notable among these were Famous products of the provinces (Sankai meisan zukushi, c. 1828–30)—where he incorporated Western shading and perspective and pigments—and Famous views of the Eastern capital in the early 1830s, which was certainly influenced by Hokusai's early-1830s Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei). Kuniyoshi ...
"Father of ukiyo-e: Torii Kiyonobu I: 1664–1729 Printmaker [6] Sukenobu: 1682–1752 Ukiyo-e painter, Miyagawa school: Miyagawa Shunsui: fl. c. 1740-60s Ukiyo-e painter, son and student of Miyagawa Chōshun: Miyagawa Isshō: mid-18th century Painter, student of Miyagawa Chōshun: Okumura Masanobu: 1686–1764 Printmaker, Torii school ...
An 1885 issue of the art and fashion magazine "Tokyo Hayari Hosomiki" ranked Yoshitoshi as the number-one ukiyo-e artist, ahead of his Meiji contemporaries such as Utagawa Yoshiiku and Toyohara Kunichika. Thus he had achieved great popularity and critical acclaim. By this point, the woodblock industry was in severe straits.
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