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Rasul Mir (Kashmiri: رَسوٗل میٖر) also known as Rasul Mir Shahabadi, was a Kashmiri romantic poet born in Doru Shahabad.He is often referred to as imām-e-ishqiya shairi' (The epitome of romantic poetry) for his literary contribution to Kashmiri romanticism.
Princess Himal and Nagaray or Himal and Nagrai is a very popular Kashmiri folktale about the love between a human princess and a Naga (snake-like) prince. The story is well-known in the region and has many renditions. One version of the story was collected by British reverend James Hinton Knowles and published in his book Folk-Tales of Kashmir. [1]
Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Ghulam Nabi Gowhar (born Ghulam Nabi Muqeem; 26 June 1934 – 19 June 2018) was a multilingual Kashmiri author, novelist, poet, columnist and a retired sessions jurist.He wrote about sixty books in Kashmiri, Urdu, and in English languages on various subjects such as politics, literature, history and on Sufism.
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Kashmiri has split ergativity and the unusual verb-second word order. Although Kashmiri was traditionally written in the Sharda script, [16] [17] [18] it is not in common use today, except for religious ceremonies of the Kashmiri Pandits. [19] Today it is written in Perso-Arabic and Devanagari scripts (with some modifications). [20]
Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
Habba Khatoon reached the palace when dark clouds of apathy and disdain were rolling against Kashmiri language and art. Another princess with a less forceful character would have found her sensibility smothered and perhaps fallen in line with the average literati in upholding Persian at the cost of Kashmiri. But Haba Khatoon's devotion to her ...