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The introduction of color television technology made it necessary to lower that 60 FPS frequency by 0.1% to avoid "dot crawl", a display artifact appearing on legacy black-and-white displays, showing up on highly-color-saturated surfaces. It was found that by lowering the frame rate by 0.1%, the undesirable effect was minimized.
In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
This is a list of films with high frame rates.Only films with a native (without motion interpolation) shooting and projection frame rate of 48 or higher, for all or some of its scenes, are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
[4] [5] Higher-budget programming on television was usually shot on film. In the 1950s, when Hollywood experimented with higher frame rates for films (such as with the Todd AO process) some objected to the more video-like look (although the inability to convert such films for projection in regular theaters was a more serious problem). [citation ...
Below is a list of broadcast video formats.. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.
The presentation began with what looked like a scratchy 16mm image centered in the screen. After a few minutes, the "film broke", the screen lights came up. You saw a door open behind the screen and a silhouette of a man walked towards the screen and began apologizing and asked if there were people out there.
The first TV slo-mo was the Ampex HS-100 disk record-player. After the HS-100, Type C videotape VTRs with a slow-motion option were used. There were a few special high frame rate TV systems (300 fps) made to give higher quality slow-motion for TV. 300 fps can be converted to both 50 and 60 fps transmission formats without major issues.
Even on television sets, the difference between content recorded on film and on a VHS was rather detectable. [5] The soap opera effect is the result of a default setting on modern television sets that generates and inserts extra frames in between the existent ones to make a sharp and crisp image of the action on screen. [6]