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In early cinema history, there was no standard frame rate established. Thomas Edison's early films were shot at 40 fps, while the Lumière Brothers used 16 fps. This had to do with a combination of the use of a hand crank rather than a motor, which created variable frame rates because of the inconsistency of the cranking of the film through the camera.
The introduction of color television technology made it necessary to lower that 60 FPS frequency by 0.1% to avoid "dot crawl", a display artifact appearing on legacy black-and-white displays, showing up on highly-color-saturated surfaces. It was found that by lowering the frame rate by 0.1%, the undesirable effect was minimized.
Even on television sets, the difference between content recorded on film and on a VHS was rather detectable. [5] The soap opera effect is the result of a default setting on modern television sets that generates and inserts extra frames in between the existent ones to make a sharp and crisp image of the action on screen. [6]
This is a list of films with high frame rates.Only films with a native (without motion interpolation) shooting and projection frame rate of 48 or higher, for all or some of its scenes, are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
Newer HD TVs have a default setting that can make watching sports or other live TV look nice and smooth. ... “The unfortunate side effect is that it makes most movies look like they were shot on ...
60 fps typically. Up to 480 fps. [21] Flicker: Perceptible on lower refresh rates (60 fps and below) [22] Depends; in 2013 most LCDs used PWM to dim the backlight [23] However, since then many flicker free LCD computer monitors were introduced. [24] Does not normally occur due to a high refresh rate higher than FPS [25]
Comparison of a slow down video without interframe interpolation (left) and with motion interpolation (right) Motion interpolation or motion-compensated frame interpolation (MCFI) is a form of video processing in which intermediate film, video or animation frames are generated between existing ones by means of interpolation, in an attempt to make animation more fluid, to compensate for display ...
While 120 fps looks "realistic", the stroboscopic look can still be seen, which also happens on 60 Hz monitors playing 60 fps video and sometimes excessive motion blur, depending on the camera and shutter speed that was used when the video was recorded. Otherwise, videos over 200 fps are more preferred, since they look more fluid and realistic ...